Appears on: Pink Martini New Year's Extravaganza
Mr. Zeller made his Metropolitan Opera debut in 1989 and has appeared there for 11 seasons. In 2002–03, he appeared in lead roles in three new productions: Ernesto in Bellini’s Il Pirata with Renée Fleming and Marcello Giordani, Eddie in William Bolcom’s A View from the Bridge (based on the play by Arthur Miller), and Chorebe opposite Deborah Voigt and Ben Heppner in Berlioz’s Les Troyens, conducted by Maestro James Levine.
His other assignments at the Metropolitan Opera have included the title role in Verdi’s Macbeth, the title role in Tchaikovsky’s Eugene Onegin, Marcello in Puccini’s La Bohème, Barak in R. Strauss’ Die Frau ohne Schatten, Enrico in Lucia di Lammermoor, Don Carlo in Verdi’s Ernani, Rangoni and Schelkalov in Mussorgsky’s Boris Godunov in two different productions, Thoas in Gluck’s Iphigenie en Tauride, Kothner in Wagners’s Die Meistersinger, and Sprecher in Mozart’s The Magic Flute, as well as performances of Giordano’s Andrea Chénier, Gounod’s Faust, and his Met Opera debut as Count Ceprano in Verdi’s Rigoletto.
He has appeared in lead roles with the Chicago Lyric Opera, New York City Opera, Berlin Staatsoper, Hamburgische Staatsoper, Deutsche Opera am Rhein, English National Opera at the Barbican in London, the Edinburgh Festival, and Vienna Festival, as well as many other international and regional opera houses throughout the world, including the Philadelphia, Minnesota, Cincinnati, San Diego, Portland, New Orleans, and New Jersey opera companies.
Mr. Zeller was featured in 2001 in an Emmy-nominated nationwide TV broadcast of Live from Lincoln Center singing Mozart’s Requiem with the Mostly Mozart Festival, conducted by Gerard Schwarz.
Mr. Zeller has sung with nearly all of the major orchestras in the U.S., including the Philadelphia Orchestra, Chicago Symphony, Cleveland Orchestra, the Boston Symphony, and the National Symphony at Kennedy Center. Highlights of past seasons include appearances with the Boston Symphony Orchestra under the baton of James Levine in Berlioz’s Les Troyens and the title role in Mendelssohn’s Elijah with both the Chicago Symphony at Ravinia and in a nationwide radio broadcast over 500 stations with the Cleveland Orchestra.
His performances at New York’s Carnegie Hall include Orff’s Carmina Burana, Handel’s Messiah, Verdi’s Requiem, Mozart’s Requiem, Bloch’s Sacred Service, Catalani’s La Wally, Faure’s Requiem, and many others.
On the concert stage, he has performed with the Baltimore, Cincinnati, Dallas, Minnesota, San Francisco, Seattle, Detroit, St. Louis, Oregon, and St. Paul chamber orchestras; the Colorado, San Antonio, Nashville, Tulsa, Toledo, Buffalo, Columbus, Richmond, Tampa, Huntsville, Florida, New World, Grant Park, Indianapolis, Johnstown, Rochester, Akron, Wichita, Kalamazoo, Baton Rouge, Grand Rapids, Jacksonville, Charleston, Memphis, Phoenix, and San Diego symphonies; and many other orchestras, professional choruses, and gala events.
His international orchestra credits feature appearances with the Toronto, Montreal, Winnipeg, and Ottowa symphonies; the Nord Deutscher Rundfunk (Hanover); the MDR Symphony Orchestra (Leipzig); the Dresden Staatskapelle; the Czech, Tokyo, Korea, and Rotterdam philharmonics; the Bergen Philharmonic Orchestra (Norway); the Orquesta Sinfonia de Mineria; and the Orchestre Philharmonique de Monte- Carlo, among many others.
Richard Zeller’s recordings include the critically-acclaimed Merry Mount by Howard Hanson, Deems Taylor’s Peter Ibbettson with Naxos, and the world premiere of Henri Lazarof’s Fifth Symphony on Centaur Records – all recorded with Gerard Schwartz and the Seattle Symphony Orchestra. He has also recorded Dvorak’s Te Deum with Zdenec Macal and the New Jersey Symphony for Delos, David Schiff’s Gimpel the Fool for Naxos, Beethoven’s Symphony No. 9 for Centaur Records, and Virgil Thompson’s Lord Byron and Aaron Copland’s The Tender Land for Koch International. He has recorded Luigi Dallapiccola’s opera Volo di notte with American Symphony Orchestra conducted by Leon Botstein, and his most recent release is Mahler’s Das Lied von der Erde with the Martingale Ensemble on MSR classics.